Historiogenesis of the classical school of guitar in Ukraine.

Аннотация

The article presents a historical and theoretical analysis of the origin of the guitar as a professional musical instrument. The history of performance on the classical guitar in Ukraine is considered. The essence of academic guitar performing art is formulated. The activity of guitar schools in higher educational institutions has been studied. It is determined that the development of the guitar art in Ukraine was influenced by Western European culture, as evidenced by historical materials. Since the second half of the XIX century and throughout the twentieth century, the guitar has become a popular and recognized instrument both among musicians and in educational institutions in Ukraine. In the development of the guitar art of Ukraine in the second half of the twentieth century, scientists distinguish two periods. The first period – the Soviet period (50-80s of the 20th century) – represented by the works of such masters as K. Smaga, P. Polukhin, V. Manilov and others. With the second period – the period of Ukraine's independence – the names of K. Chechenia, N. Mikhailovsky, V. Dotsenko, Y. Fomin, B. Belsky, V. Zhadko, etc. In general, the classical guitar in Ukraine received its distribution somewhat later than in Europe, but European traditions quickly entered the performing school on the classical guitar of the well-known teachers-musicians. The facts collected during the article writing, their analysis and generalization contribute to the enrichment of scientific ideas about the formation and development of the Ukrainian guitar school in the context of the development of world guitar art.